Riovida Networks

We bring celebrities, causes, and companies together for mutual benefit.

© Copyright 2026 – RioVida Networks – All rights reserved

Category: Artist Highlight

  • Artist Highlight: Laurent Mercier

    Laurent Mercier and John Lee Hooker, Jr.
    Laurent Mercier and John Lee Hooker, Jr.

    Laurent Mercier was born in France in 1967. He spends a good part of his childhood on the road with his parents who are working in the music industry. Later he studies at the « école nationale supérieure des Beaux-arts » in Paris. He started his career as an independent multimedia artist, organizing collective exhibitions. He also worked with the publishing firm, Association for the Development of Multimedia Literature.

    He exhibits regularly at the Galerie Donguy, 57 rue de la Roquette, in Paris. He organizes collective exhibitions from the artist action group created by Michel Journiac. He takes part in events on the subject of the artist condition and status in the society, in institutions like Unesco.

    He joins Jacques Donguy in his publishing structure “Association for the Development of Multimedia Literature.”

    He eventually created his own school “Studio Mercier” where he trains CG Artists, who are working currently in international production studios. He created his own production studio Callicore which allows him to provide services to musicians without any of the restraints often found in major media conglomerates.  Laurent Mercier, in short, has devoted his life to break through boundaries and to bring genuine, true art and freedom to his creations counter-balancing the boredom of what he calls “the cultural dictatorship of corporate media”.

    Now with his own company, Callicore, he is in charge of all aspects of its projects, from pre-production to post-production, and retains a relatively independent and free nature. It is working out well for Laurent Mercier and his artist clients.  They won a Webby Award with John Lee Hooker, Jr. with the animated music video ”Blues ain’t Nothin’ but a Pimp” and expanded Callicore’s service offer with music production and music publishing.  More than a collaboration, John Lee Hooker Jr and Laurent Mercier developed the strong bond of a real brotherhood. Among the many illustrious artists co-produced by Laurent Mercier are a variety of projects with John Lee Hooker jr, Arrested Development, Carbon Silicon,The buzzcocks, The Meteors, The Washington Dead Cats, Marky Ramones Blitzkrieg, We Are The Fury, CAKE, Brian Setzer, Lee Rocker, Clinic Rodéo, Dr Feelgood and recently Iggy Pop.

    Iggy Pop’s rendition of the classic “La Vie en Rose.”

    At Callicore Studios, Laurent Mercier is the producer, director, CG artist, who collaborates with Marius Legrand, producer, lead animator, and are supported by their production assistant Anaelle Majidate.

    Washington Dead Cats fun video of a groovy nightmare blues song.

    One of the first collaborations between Mercier and Xavier Semens, who joined Callicore in 2006, was the animated video for Phantom Rider, a song from the 2007 album, Hymn for the Hellbound, by the British psychobilly group The Meteors. That same year, Callicore produced an animated video for Sound of a Gun, by the British punk band The Buzzcocks (the initial video was considered too violent for broadcast television, and a second, less violent version was released).

    Callicore created the animated video for Blues Ain’t Nothin’ But a Pimp, a song from John Lee Hooker, Jr.’s Grammy Award-winning album, All Odds Against Me. The video portrays Hooker as a comic book character, “Bluesman”, who plays in clubs at night and cleans up the streets during the day. The video was a Webby Award honoree in the Special FX/Motion Graphics category in 2009. An image from the video was featured on the album’s cover.

    In 2008, Callicore produced its first video for Carbon/Silicon, a band founded by Mick Jones, the former guitarist for The Clash, and bass player Tony James. In 2010, the studio produced the video for hip-hop group Arrested Development’s Bloody, as well as for When We Were Angels by Marky Ramone’s Blitzkrieg, a project of former Ramones drummer, Marky Ramone.[2]

    In 2011, Callicore created the video for Cake’s Long Time, a track from the band’s comeback album, Showroom of Compassion. In an interview with Cake singer John McCrea, Mercier said the gloomy mood of the video, which follows the plight of a man and his monkey imprisoned in a dystopian world, was inspired directly by Cake’s music, which reminds him of “melancholy things.” McCrea was impressed by the video’s general movement and choreography, which he suggested are often lacking in music videos, and appreciated how Mercier perceived the non-humorous side of Cake’s music.

    Callicore produced and directed videos for artists such as Brian Setzer, Lee Rocker, Eagle-Eye Cherry and Dr. Feelgood, from 2011 to 2013. The studio has continued its collaboration with John Lee Hooker, Jr., with several videos featuring the “Bluesman” character created for Blues Ain’t Nothin’ But a Pimp.

    You can learn more about Laurent Mercier via his website, wiki, and facebook page.

  • Artist Highlight – Tony Bennett

    Tony Bennett Happy Birthday
    Tony Bennett Happy Birthday

    “We aren’t likely to see a recording career like this again.”
    — The New York Times

    “…his voice is still a technical marvel, and no one else on Earth can make a lyric written eight decades ago sound as natural as a conversation at a coffee shop.”
    — New York Magazine

    Happy Birthday, Tony Bennett

    No one else in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. In the last ten years alone, he has sold ten million records. The essence of his longevity and high artistic achievement was imbued in him in his loving childhood home in the Astoria section of Queens, where he was born on August 3, 1926. His father died when Tony was 10, and his mother, Anna, raised Tony and his older brother and sister, John and Mary, in a home surrounded by loving relatives who were Tony’s first fans, filling him with encouragement and optimism. He attended the High School of Industrial Arts in Manhattan, where he continued nurturing his two passions, singing and painting. From the radio, he developed a love of music, hearing Bing Crosby, Louis Armstrong, and James Durante.

    As a teenager, Tony sang while waiting on tables, and then enlisted in the Army during World War II. While in Europe he performed with military bands. He later had vocal studies at the American Theatre Wing School. The first time Bennett sang in a nightclub was in 1946 when he sat in with trombonist Tyree Glenn at the Shangri-La in Astoria. Bennett’s big break came in 1949 when comedian Bob Hope noticed him working with Pearl Bailey in Greenwich Village in New York City. As Bennett recalls, “Bob Hope came down to check out my act. He liked my singing so much that after the show he came back to see me in my dressing room and said, ‘Come on kid, you’re going to come to the Paramount and sing with me.’ But first he told me he didn’t care for my stage name (Joe Bari) and asked me what my real name was. I told him, ‘My name is Anthony Dominick Benedetto’ and he said, ‘We’ll call you Tony Bennett.’ And that’s how it happened. A new Americanized name—the start of a wonderful career and a glorious adventure that has continued for over 60 years.”

    With millions of records sold worldwide and platinum and gold albums to his credit, Bennett has received seventeen Grammy Awards—including a 1995 Grammy for Record of the Year for his “MTV Unplugged” CD, which introduced this American master to a whole new generation—and the Grammy Lifetime Award. His 2007 prime-time special, “Tony Bennett: An American Classic,” won seven Emmy Awards. His initial successes came via a string of Columbia singles in the early 1950’s, including such chart-toppers as “Because of You,” “Rags to Riches,” and a remake of Hank Williams “Cold, Cold Heart.” He had 24 songs in the Top 40, including “I Wanna Be Around,” “The Good Life,” “Who Can I Turn To (When Nobody Needs Me)” and his signature song, “I Left My Heart In San Francisco,” which garnered him two Grammy Awards.

    Tony Bennett is one of a handful of artists to have new albums charting in the 50s, 60s, 70s, 80s, 90s, and now in the first two decades of the 21st century. He has introduced a multitude of songs into the Great American Songbook that have since become standards for pop music. He has toured the world to sold-out audiences, earning rave reviews wherever he performs. Bennett re-signed with Columbia Records in 1986 and released the critically acclaimed The Art of Excellence. Since his 1991 show-stopping performance at the Grammy Awards of “When Do The Bells Ring For Me,” from his Astoria album, he has received a string of Grammy Awards for releases including Stepping Out, Perfectly Frank, and MTV Unplugged.

    In the new millennium, Bennett’s artistry and popularity were at an all-time high. In 2006, the year of his 80th birthday, his Duets: An American Classic was released. The album—which included performances with Paul McCartney, Elton John, Barbra Streisand, Bono, and others—won three Grammy Awards and went on to be one of the best-selling CDs of the year and Tony’s career. Bennett’s first Duets album also inspired the Rob Marshall-directed television special Tony Bennett: An American Classic, which won seven Emmys, making it the most honored program at the 2007 Emmy Awards.

    In celebration of his 85th birthday in 2011, the release of Bennett’s highly anticipated Duets II featured Tony performing with a new roster of celebrated artists, including the late Amy Winehouse (her last recording was their duet of “Body and Soul”), Michael Bublé, Aretha Franklin, Josh Groban, Lady Gaga, John Mayer, and many others. Duets II debuted at #1 on the Billboard Album charts, making Tony the only artist at the age of 85 to achieve this in the history of recorded music. Bennett won two Grammys for Duets II in the 2012 Grammy ceremony, and this year marked the 50th Anniversary of the recording and release of his signature song, “I Left My Heart in San Francisco.” A documentary entitled THE ZEN OF BENNETT, which was created and conceived by Danny Bennett, Tony’s son and manager, premiered at the Tribeca Film Festival in 2012. At the end of 2012, Bennett also authored his fourth book, the New York Times bestseller, LIFE IS A GIFT, which highlights his personal philosophies learned throughout his life and career.

    Tony Bennett became a Kennedy Center Honoree in 2005, was named an NEA Jazz Master in January of 2006, received a Citizen of the World award from the United Nations, and was presented with a Billboard Magazine Century Award in honor of his outstanding contributions to music. Tony Bennett is a dedicated painter whose interest in art began as a child. He continues to paint every day, even as he tours internationally. He has exhibited his work in galleries around the world. The United Nations has commissioned him to create two paintings, including one for its 50th anniversary. His original painting, “Homage to Hockney,” is on permanent display at the Butler Institute of American Art, and the landmark National Arts Club in New York is home to Tony’s painting “Boy on Sailboat, Sydney Bay.” Three of his paintings are part of the Smithsonian Museum’s permanent collections, including his portrait of his friend, Duke Ellington, which entered the National Portrait Gallery’s collection in 2009.

    Throughout his career, Tony Bennett has always put his heart and time into humanitarian concerns. He has raised millions of dollars for the Juvenile Diabetes Foundation, which established a research fund in his name. His original paintings grace the cover of the American Cancer Society’s annual holiday greeting card each year, with proceeds earmarked for cancer research. He is active in environmental concerns and social justice. He marched with Dr. King in the historic Selma-to-Montgomery Civil Rights Movement, and the Martin Luther King Center in Atlanta bestowed upon him its “Salute to Greatness Award” for his efforts to fight racial discrimination.

    In 1999, Tony Bennett, with his wife Susan Benedetto, a former public school teacher, founded Exploring the Arts (ETA) to strengthen the role of the arts in public high school education. ETA connects private funders, individual artists, and cultural institutions to Partner Schools to achieve greater equality of resources and opportunity for youth of all means and backgrounds. ETA programs are designed to help school principals and teachers sustain the arts in the face of budget cuts and better leverage the arts to strengthen student learning and engagement. ETA’s first endeavor was the establishment of Frank Sinatra School of the Arts (FSSA), a public high school founded in 2001 by Tony and Susan in partnership with the NYC Department of Education. FSSA is housed in a newly constructed building in Tony’s hometown of Astoria, Queens. Its state-of-the-art facilities include visual art studios and a gallery, black box theatres and a stagecraft workshop, dance studios, choral and orchestral classrooms, an 800-seat concert hall, a multi-media technology lab, and a rooftop performance garden. All students major in Dance, Theatre, Film, Fine Art, Vocal, or Instrumental Music. FSSA also offers a rigorous academic curriculum and holds one of the highest graduation and college enrollment rates for NYC public high schools. ETA extended its commitment to FSSA to expand its support, and to date, ETA partners with 17 public high schools—14 in all five boroughs of New York City and 3 in East Los Angeles.

    Today, Tony Bennett’s artistry and accomplishments are applauded here at home and all over the world by people from ages 12 to 90. Recently, former President Bill Clinton observed, “Now in his seventh decade of singing, Tony Bennett has somehow kept his unique voice, with its beauty and range, its strength and style, and still in perfect pitch. But as talented as he is, Tony’s most impressive quality is his giving spirit!”

    zenofbennett.com