Tag: Artist Highlight

  • Interview with world-renowned Musical Diva – N’Kenge

    N'Kenge enchants Broadway Musical Audiences around the world
    N’Kenge enchants Broadway Musical Audiences around the world

    Recently we had the pleasure of a personal interview with N’Kenge, one of the most accomplished musical artists of this century.  Her accomplishments are too numerous to mention. First opera singer to win the Lena Horne Vocal Competition,  first opera singer to win the New York State talented teen, starred in the world tour of Man in the Mirror Tribute Show to Michael Jackson, starred on West End London in the production of the Genius of Ray Charles, was nominated for a Helen Hayes Award for outstanding lead actress in arena stage’s production of 3 Mo Divas, she sang for Obama, Kofi Annan, Bill Clinton, did 140 shows in 2014 alone and received a proclamation from New York City Hall for her community work. Oh, she sings in 11 different languages.  So it is a genuine honor to have her give us a personal interview.  Enjoy!

    What are your favorite upcoming projects?

    I’ve started rehearsals this week for The Golden Apple musical which will be performed next month in the encore series at New York City Center. I’m excited to play the principal role of Mother Hare that doubles as Circe.

    This summer will be filled with some exciting projects. In June, I will play the role of Tonya in a Showcase of the Broadway bound “54 The Musical.

    I also join Maestro Steve Reineke and the Philadelphia Orchestra in the concert Sophisticated Ladies/Ella Fitzgerald at the Saratoga Performing Arts Center.

    What were your favorite performances?

    Probably a combination of making my debut as Musetta in Puccini’s La Bohème at Virginia Opera and originating the role of Mary Wells in the Broadway’s MOTOWN: The Musical.

    How did you get started in the entertainment industry?

    I started singing at 10 years old at my elementary school in the Bronx PS 95. I landed the role of Patty in Snoopy, the Musical, and I got the music bug. All I ever wanted to do from that time onward was to sing and to make people happy through my music. I got a scholarship to get my Bachelor’s Degree at the Manhattan School of Music and a Master’s Degree at the Juilliard School. I was immediately singing with New York City Opera, Virginia Opera, and Seattle Opera once I graduated. Then I got cast in a show called 3 Mo Divas about opera singers who can sing in  eight styles of music. That was the show that transitioned me into the Musical Theater and Pop World.

    You have classical training, do you miss performing classical music or do you still work on it?

    I still perform classical music with symphonies around the world and was the lead in a Wagner Opera during a vacation break from MOTOWN: The Musical, on Broadway. Probably the first and last time I would ever perform Wagner immediately after doing an eight show week of Motown music. Ha, ha.

    When did you realize you wanted to become a singer / performer?

    At 10 years old. My fifth grade teacher gave me a chance to perform on stage, and I’ve been addicted ever since. My mom was a huge supporter and was giving me every opportunity to perform – once she realized I had this gift.

    Do you have advice for any young people who dream to become singers.

    Turning dreams into reality comes with a recipe of hard work, perseverance and passion. Stay focused and develop a circle of people that will support you. Music is a hard career to break into, but if it’s what you LOVE then every step of your journey is worth it.

    N’Kenge is such an amazing woman, such an amazing artist, and a genuine role model for kids all around the world.  Learn more about her on her website:   www.nkengemusic.com

    PERFORMANCE LINKS

    FEVER- LIVE ON WEST END, LONDON in The Genius of Ray Charles

    “DEFYING GRAVITY” AT IWF- Performed by N’Kenge

    SKYFALL at the Legendary BIRDLAND JAZZ CLUB in NYC

    Enjoy more shows on her very own Youtube Channel.

  • Artist Highlight: Laurent Mercier

    Laurent Mercier and John Lee Hooker, Jr.
    Laurent Mercier and John Lee Hooker, Jr.

    Laurent Mercier was born in France in 1967. He spends a good part of his childhood on the road with his parents who are working in the music industry. Later he studies at the « école nationale supérieure des Beaux-arts » in Paris. He started his career as an independent multimedia artist, organizing collective exhibitions. He also worked with the publishing firm, Association for the Development of Multimedia Literature.

    He exhibits regularly at the Galerie Donguy, 57 rue de la Roquette, in Paris. He organizes collective exhibitions from the artist action group created by Michel Journiac. He takes part in events on the subject of the artist condition and status in the society, in institutions like Unesco.

    He joins Jacques Donguy in his publishing structure “Association for the Development of Multimedia Literature.”

    He eventually created his own school “Studio Mercier” where he trains CG Artists, who are working currently in international production studios. He created his own production studio Callicore which allows him to provide services to musicians without any of the restraints often found in major media conglomerates.  Laurent Mercier, in short, has devoted his life to break through boundaries and to bring genuine, true art and freedom to his creations counter-balancing the boredom of what he calls “the cultural dictatorship of corporate media”.

    Now with his own company, Callicore, he is in charge of all aspects of its projects, from pre-production to post-production, and retains a relatively independent and free nature. It is working out well for Laurent Mercier and his artist clients.  They won a Webby Award with John Lee Hooker, Jr. with the animated music video ”Blues ain’t Nothin’ but a Pimp” and expanded Callicore’s service offer with music production and music publishing.  More than a collaboration, John Lee Hooker Jr and Laurent Mercier developed the strong bond of a real brotherhood. Among the many illustrious artists co-produced by Laurent Mercier are a variety of projects with John Lee Hooker jr, Arrested Development, Carbon Silicon,The buzzcocks, The Meteors, The Washington Dead Cats, Marky Ramones Blitzkrieg, We Are The Fury, CAKE, Brian Setzer, Lee Rocker, Clinic Rodéo, Dr Feelgood and recently Iggy Pop.

    Iggy Pop’s rendition of the classic “La Vie en Rose.”

    At Callicore Studios, Laurent Mercier is the producer, director, CG artist, who collaborates with Marius Legrand, producer, lead animator, and are supported by their production assistant Anaelle Majidate.

    Washington Dead Cats fun video of a groovy nightmare blues song.

    One of the first collaborations between Mercier and Xavier Semens, who joined Callicore in 2006, was the animated video for Phantom Rider, a song from the 2007 album, Hymn for the Hellbound, by the British psychobilly group The Meteors. That same year, Callicore produced an animated video for Sound of a Gun, by the British punk band The Buzzcocks (the initial video was considered too violent for broadcast television, and a second, less violent version was released).

    Callicore created the animated video for Blues Ain’t Nothin’ But a Pimp, a song from John Lee Hooker, Jr.’s Grammy Award-winning album, All Odds Against Me. The video portrays Hooker as a comic book character, “Bluesman”, who plays in clubs at night and cleans up the streets during the day. The video was a Webby Award honoree in the Special FX/Motion Graphics category in 2009. An image from the video was featured on the album’s cover.

    In 2008, Callicore produced its first video for Carbon/Silicon, a band founded by Mick Jones, the former guitarist for The Clash, and bass player Tony James. In 2010, the studio produced the video for hip-hop group Arrested Development’s Bloody, as well as for When We Were Angels by Marky Ramone’s Blitzkrieg, a project of former Ramones drummer, Marky Ramone.[2]

    In 2011, Callicore created the video for Cake’s Long Time, a track from the band’s comeback album, Showroom of Compassion. In an interview with Cake singer John McCrea, Mercier said the gloomy mood of the video, which follows the plight of a man and his monkey imprisoned in a dystopian world, was inspired directly by Cake’s music, which reminds him of “melancholy things.” McCrea was impressed by the video’s general movement and choreography, which he suggested are often lacking in music videos, and appreciated how Mercier perceived the non-humorous side of Cake’s music.

    Callicore produced and directed videos for artists such as Brian Setzer, Lee Rocker, Eagle-Eye Cherry and Dr. Feelgood, from 2011 to 2013. The studio has continued its collaboration with John Lee Hooker, Jr., with several videos featuring the “Bluesman” character created for Blues Ain’t Nothin’ But a Pimp.

    You can learn more about Laurent Mercier via his website, wiki, and facebook page.