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Beverly Reiser creates new art collection: Contemplative Reflections

Beverly Reiser - On and On the tears must fall
Beverly Reiser – On and On the tears must fall

Beverly Reiser has been a prolific artist who has been exhibited all around the world.  For the past year she has started in a a new medium, pastels. We hope you enjoy her latest collection.

interactive multimedia installations using sound, video, and computer graphics:

ARTIST / CO-DEVELOPER

Vital Journey / Virtual Heart: a walk-in interactive multimedia installation for Exploration Place, a children’s science museum in Kansas, which takes children on a virtual journey through the human circulatory system, lungs and brain. Visitors complete the oxygen/carbon dioxide exchange using life-size video capture and interactive game technology. In collaboration with Gyroscope, Inc., and Vivid Group opened in April, 2000

 

ARTIST

private_loves/public_opera: A walk-in video “garden” with website which collects love stories, allows you to add your own love story. The web site is athttp://www.ylem.org/private_loves/public_opera/, San Francisco, Art Institute, Walter McBean Gallery, San Francisco, CA Dec.- Jan. 1996-1997, a collaboration with Barbara Lee

ARTIST

Que Viva Tu Recuerdo: Altars And Offerings for the Days of the Dead

An altar/ installation dedicated to the memory of Remedios Varo, Oakland Museum, CA, Oct. -Nov 1995, a collaboration with Lucia Grossburger Morales

 

Under the name of LIFE ON A SLICE:

( These are collaborations with Hans Reiser, Bill Fleming and Kimberley Edwards.)

ARTIST / CO-DEVELOPER:

VOICE GARDEN: LABYRINTH OF LOVE, LABYRINTH OF DESIRE, an interactive multimedia CD-ROM

 

Come, Human, spin in my Web! – A ride thru an A.I.’s persona

An A.I. sends an invitation out to Humans to visit the “web”. If they take up the invite, they adventure into either the “Cerebral Cathedral” or the ” Feral Forest”. Eventually they arrive at one of four possible endings having altered their own “data structure” or the environment.

 

Temple of the Goddesses – A virtual sacred space.

As the visitor moves thru the shrine complex they are engaged in various episodes (depending on the visitors response ) by goddesses Venus, Nemesis, the Psychedelic Cyber Pagan, etc. There are four possible endings with numerous episodes along the way.

 

The Phosphorescent Samurai and the Geisha Snail A surrealistic fable

Two inter-species mutants start on their ‘hero’s journey’ and, depending on choices made by the viewer along the way, are transformed accordingly. There is a final revelation unique to each of the eight possible endings.

HEART THEATER, Exploration Place, Wichita, Kansas opens April, 2000

PRIVATE_LOVES / PUBLIC_OPERA, San Francisco Art Institute, Walter McBean Gallery, San Francisco, CA

Dec.- Jan. 1996-1997

2DO FESTIVAL INTERNACIONAL DE VIDEO Y ARTES ELECTRONICAS, Buenos Aires, Argentina, 1996

INTEGRATED HEMISPERES: Woman/Art /Technology, Blasthaus, San Francisco, CA, May – June 1996

BURNING MAN FESTIVAL, South of Market Arts Center, San Francisco, Aug. 1995, 1996, 1998

INTERACTIVE COMMUNITIES, SIGGRAPH 95 Conference , Los Angeles, 1995

JUPITER AND THE COMETS, a program/event produced by the

Center for Extreme Ultraviolet Astophysics, 1994

THE UBIQUITOUS ART ZONE, the ACM’s Multimedia ’94 Conference, San Francisco, Ca, USA, Oct. 1994

PLEASE TOUCH ! , VIDEO SCULPTURE, Regional Center for the Arts,

Bedford Gallery, Walnut Creek, CA, Jan, 1994

THE INTERACTIVE EXPERIENCE, INTERACT ’93, conference of ACM’s SIG Computer Human Interface and INTERACT ( European ), Amsterdam, the Netherlands, 1993

LIFE ON A SLICE, tour of German University Art galleries, Feb.-May, 1992

SIGGRAPH ART SHOW ’92, Chicago, July, 1992

IMAGES DU FUTUR ’92, LA CITE DES ARTS ET NOUVELLES TECHNOLOGIES DU MONTREAL, Canada

TOMMOROW’S REALITIES: HYPERMEDIA, SIGGRAPH, Las Vegas, 1991

INTERACTIVE ART, Center for Extreme Ultraviolet Astrophysics, NASA, U.C. Berkeley

AMERICAN LIGHT ART, Takashimaya, Tokyo, Japan, 1989-90

NEO-NEON, One Market Plaza, Art Programs Inc., San Francisco, 1987

EXPANDED VISION: NEW TECHNOLOGIES IN ART, Jack Gallery, New York City, 1985

interviews, articles, & books:

Art & Technology at the Mining Co. web site, featured artist in Mindscapes on 11/06/97

LEONARDO, ( the cover of) Journal of the International Society for Arts Sciences and Technology, MIT Press, Vol. 29 #1, 1996

Microsoft’s magazine, feature: Art on the Internet: Rare Birds in Cyberspace, by Dominic Gates, http://home.microsoft.com/reading/features.asp, Feb. 26,1997

INTERNATIONAL SYMPOSIUM OF ELECTRONIC ARTS ’96, CD ROM produced & distributed by MultiArtDisc, Eindhoven, Netherlands, 1996

ARTWEEK, article on art & technology by Barbara Fisher, Jan., 1996

 SIGGRAPH ’95 MULTIMEDIA CD-ROM, a publication of the ACM ‘s SIGGRAPH, 1995

COMPUTERS & GRAPHICS , Pergamom Press , and the IEEE’s COMPUTER GRAPHICS ,Special supplement joint issue edited by Carl Machover, “Aesthetic Considerations Unique to Interactive Multimedia” , May,1995

NEW SCIENTIST, “Netropolis”, “An Elephant Dancing” by Claire Neesham, April,1994

ARTISTS DATABASE CD-ROM , Project Intercommunication Center, Tokyo, 1993,1994,

ART IN THE ELECTRONIC AGE, by Frank Popper, pub. by Harry N. Abrams,1992, Paris, France

LEONARDO, Journal of the International Society for Arts Sciences and Technology,

San Francisco, CA, Jan, 1994

TECH-NATION, interview by Dr. Moira Gunn , National Public Radio, Aug, 1993

GD3D, GRAPHIC DESIGN IN THE THIRD DIMENSION, Ken & Leigh Cato, published by Graphic Sha, Tokyo, 1992

VERBUM, JOURNAL OF COMPUTER AESTHETICS, San Diego, CA, Dec. 1991

LET THERE BE NEON !, Vol. II, by Rudi Stern, NY,NY, 1991

CONTEMPORARY NEON, by Rudi Stern, NY, NY, 1992

NEW YORK TIMES, Business Section 3, The New Hollywood, Sept. 1991

COMPUTER GRAPHICS, Magazine of the I.E.E.E., Art in Virtual Reality, May, 1992

CYBER ARTS, published by Harper- Freeman, ed. by Linda Jacobson, Summer ,1992

offices & awards:

President of Ylem/ Artists Using Science And Technology , PO box 749, Orinda, CA, 94563, 1985-1999

Advisory Board, International Society for the Arts, Sciences, and Technology, San Francisco, CA, 1989-2000

Currently Chair of the Advisory Board

MicroTimes Magazine on it’s “MicroTimes 100”, their list of 100 people who’ve had a significant influence

on the computer industry, Dec., 1995

designer / co-founder / director (until 1999)

Ylem’s Art on the Edge, an art gallery on the world wide web: http://www.ylem.org/

External Advisory Panel member to Xerox PARC Artist-in Residence Program, 1993

Honorary Distinction in Interactive Art, PRIX ARS ELECTRONICA, Linz, Austria, 1992

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