Frank Martin, Head of the UC Jazz Advanced Combo I

Frank Martin - Arranger/Conductor/Keyboardist

 Arranger/conductor/keyboardist Frank Martin has performed and/or recorded with a variety of artists that include Andrea Bocelli, Sting, Stevie Wonder, Elton John, Steve Winwood, Whitney Houston, Ray Charles, Diana Ross, Chris Isaak, Tevin Campbell, Cheryl Crow, Philip Bailey, James Taylor, Joe Cocker, Billy Joel, and Madonna.

In the jazz world of music his performance credits include Flora Purim & Airto Moriera, Herbie Hancock, John McLaughlin, Narada Michael Walden, Stanley Jordan, Dizzy Gillespie, Mel Torme, Bobby McFerrin, John Handy, Ramsey Lewis, Joe Farrell, and the Slide Hampton Big Band.
Orchestra performances included concerts with the San Francisco Symphony, San Francisco Chamber Orchestra, and the Orchestra of St. Lukes (New York Philharmonic Orchestra).

As a producer he has worked with such artists as Al Jarreau, Lisa Fischer, Bobby McFerrin’s Voicestra, the Award Winning A Cappella group SoVoSo, Gospel vocalists NuVision, story telling Jazz vocalist Rhiannon, Jazz guitarist Mimi Fox featuring organist Joey DeFrancesco and vocalist Angela Bofill, jazz vocalist Karin Blixt featuring Buddy Montgomery, Russell Ferrante, Bruce Forman, Alex Acuna, and William Kennedy, as well as Dutch vocalist Ellen Honert featuring Dori Caymmi, Abraham Laboriel, Turtle Island String Quartet, Tuck & Patti, and Pedro Eustache.

As Musical Director he has toured with such artists as Patti Austin, Angela Bofill, Narada Michael Walden, Mickey Thomas, Roy Ares, Tevin Campbell, and Clarence Clemens.

For two years he also worked as assistant Musical Director for The Afternoon Show on KPIX Television in San Francisco, California. Currently on staff as an educator at the Jazzschool in Berkeley, California, he is in demand as a clinician both in the United States, having taught at the Naropa Institute in Boulder Colorado, Stanford Jazz Workshops at Stanford University, as well as in Europe at the acclaimed SAMI Institute in Sweden. Annual music summer camps include JazzCampWest and the Lafayette Summer Music Workshops.

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Frank Martin

Frank Martin infuses the Advanced Combo I with the professionalism and creativity he is so famous and beloved for.

Frank Martin is a great performer and a wonderful teacher. A wide range of compositional techniques and musical devices are explored and applied to class assignments including: the use of different rhythmic feels and grooves; reharmonization; form changes; innovative intros, outros, codas and vamps; and alterations to melody and lyrics. Students sing and/or play selected repertoire in a variety of styles and learn how to make even the most common standards sound new. Read feature article about Frank Martin

In the News 

Frank Martin Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array of musical styles. In the pop arena, Martin has performed and/or recorded with stars that include Sting, Stevie Wonder, Elton John, Steve Winwood, Whitney Houston, Ray Charles, Diana Ross, Chris Isaak, Andrea Bocelli, Cheryl Crow, Philip Bailey, James Taylor, Joe Cocker, Billy Joel, Madonna and Ricki Martin. In the jazz world, his performance credits include Flora Purim & Airto Moriera, Herbie Hancock, John McLaughlin, Dizzy Gilespie, Mel Torme, Bobby McFerrin, John Handy, Ramsey Lewis, Joe Farrell and the Slide Hampton Big Band. Orchestra performances have included concerts with the San Francisco Symphony, San Francisco Chamber Orchestra and the “Orchestra of St. Lukes” (New York Philharmonic Orchestra). 

As a producer, he has worked with high-profile artists such as Al Jarreau, Bobby McFerrin’s “Voicestra,” SoVoSo,” Joey DeFrancesco and Alex Acuña, Jazz guitarist Mimi Fox, vocalist Angela Bofill and the Turtle Island String Quartet. As musical director, he has toured with such artists as Patti Austin, Angela Bofill, Narada Michael Walden, Mickey Thomas, Roy Ayres, and Clarence Clemens. Currently, Martin is on staff at the University of California in Berkeley as well as the Jazzschool in Berkeley, California. He is in demand as a clinician both in the United States and in Europe. 

Great musicians make What’s New, Pussycat? come alive and help Lisa B keep the atmosphere fun and swinging. Ben Flint’s keyboards on the first two tracks help set the tone, and Frank Martin’s clever piano playing on the rest of the disc complements Lisa B’s singing perfectly (check out the electric piano in “Cha Cha de la Gata (Kitty-Cat Cha)”). The recording is vibrant and detailed. What’s New Pussycat? is fun, impressively played and sung, and, yes, very sexy.” SoundstageAV.com, Joseph Taylor

Frank Martin’s “In the Pocket” class on rhythm is super-fun. You’ll be on your feet and moving. Frank gives enough handouts that you’ll have two years’ worth of practice materials by the end of the class. Student on yelp.com 2009 

Multi-Platinum record winner, composer/keyboardist Frank Martin has performed his edgy-jazz style with everyone from Dizzy Gillespie to Sting and Elton John. Count on hearing a jazz trio of the highest of caliber — pushing the limits of harmony and improvisation in modern jazz expressions. http://www.sanjosejazz.org 

Frank Martin’s clever piano playing on the rest of the disc complements Lisa B’s singing perfectly (check out the electric piano in ‘Cha Cha de la Gata (Kitty-Cat Cha)’). The recording is vibrant and detailed. ‘What’s New Pussycat?’ is fun, impressively played and sung, and, yes, very sexy.” Radio stations across the country have jumped on the record. www.jazz review.com 

Convergence by Ian Dogole & Hemispheres offers up a kaleidoscopic brew of innovative, adventurous Jazz spiced with flavors from around the globe. Blending African, Middle Eastern, Asian and South American instruments with more traditional Jazz instrumentation and song forms, percussionist Ian Dogole, along with Grammy-nominated woodwind virtuosi Paul McCandless (with Oregon) and Sheldon Brown (formerly with Omar Sosa), bassist/flutist Bill Douglass (with Marian McPartland and Mose Allison), and Frank Martin take their listeners on an unforgettable aural journey that it is simply out of this world. www.jazzheads.com 

Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array … www.jazzheads.com 

“Jazzmérica,” is produced by three-time Grammy nominee Wayne Wallace and boasts an all-star band including Frank Martin, John Santos, Ricardo Peixoto, Michael Spiro, Paul Van Wangeningen, David Belove, Edgardo Cambón, Melecio Magdaluyo and many others. 

Convergence by Ian Dogole & Hemispheres offers up a kaleidoscopic brew of innovative, adventurous Jazz spiced with flavors from around the globe. Blending African, Middle Eastern, Asian and South American instruments with more traditional Jazz instrumentation and song forms, percussionist Ian Dogole, along with Grammy-nominated woodwind virtuosi Paul McCandless (with Oregon) and Sheldon Brown (formerly with Omar Sosa), bassist/flutist Bill Douglass (with Marian McPartland and Mose Allison), and Frank Martin take their listeners on an unforgettable aural journey that it is simply out of this world. www.jazzheads.com 

Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array … www.jazzheads.com 

Read feature article about Frank Martin 

Created for the UC Jazz Club by RioVida Networks, LLC ©

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Artist Highlight – Dann Zinn

Dann Zinn teaches saxophone and leads the UC Jazz Intermediate Combo III Ensemble

Dann Zinn https://www.dannzinn.com/
Dann Zinn https://www.dannzinn.com/

Dann Zinn plays saxophones, flutes, and various ethnic flutes. He has recorded or performed with Joe Henderson, Russell Ferrante (from The Yellow Jackets), Chuck Findley (The Tonight Show), Jeff Tain Watts, Freddie Hubbard, Mary Wells, and Martha and the Vandellas, among many others. 

Dann’s first solo album of original music, Ten Songs, has garnered critical acclaim through the U.S. and Europe from publications such as Jazz Times and JazzIz. Current projects include original world fusion band Jack, jazz group The Deadly Zinns, and free improv band Spontanous Burstation. 

Dann Zinn performs and teaches a blend of processed and original jazz and world music

He tours throughout the U.S., Canada, and Mexico. Locally, he has been featured at the Monterey Jazz Festival, San Francisco Jazz Festival, San Jose Jazz Festival, Yoshi’s Nightspot, and the Kuumbwa Jazz Center among countless others.  

His first solo recording of original music, Ten Songs, has garnered critical acclaim throughout the U.S. and Europe from such prestigious publications as Jazz Times and JazzIz. Other performances include numerous television, radio, and multi media projects, such as Tiger Woods and John Madden video games, Kangaroddy children show on PBS, and a Willie Mays special on CBS. 

He is also working on a series of tone and technique books which present various systems for organizing scales and related subjects.

In addition to teaching the UC Jazz Intermediate Combo III, Dann has taught saxophone, big bands, jazz combos, history of jazz, history of rock and roll, music appreciation, and applied woodwind classes at Cal State University, East Bay for ten years. He is also on the faculty of the Dave Brubeck Institute and the Jazz School. Dann has received two teacher recognition awards from the National Foundation for Advancement in the Arts, and has been selected for inclusion in Who’s Who Among America’s Teachers, 2005.Current projects include original world fusion band Jack, jazz group The Deadly Zinns, and free improv band Spontanous Burstation. 

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UC Jazz Ensembles

UC Jazz Ensembles – Advanced Combos 

UC Jazz Ensembles in 2007

Advanced Combos

The Advanced Combo consist of the top players in UC Jazz Ensembles. Placement in these combos is restricted. The advanced combos perform jazz standards, challenging and contemporary material such as Dave Liebman and Chick Corea, and original compositions. Advanced musicians should have a thorough understanding of bebop and contemporary improvisation styles, and a familiarity with the musical languages of Charlie Parker, Miles Davis, John Coltrane, Wayne Shorter, Bill Evans, etc. Students should know diatonic and non-diatonic jazz harmonic theory and have memorized several jazz standards. They should have technical fluency on their instrument and possess advanced jazz musicianship skills, including sight-reading, transposition, odd-meter playing, and pitch/chord recognition, although the combos will continue to work in all of these areas. Advanced combos frequently perform at highly visible venues on and off campus and perform biannually at our end of semester concerts with the UC Jazz Big Band.

Instructor: Ted Moore

Personnel:

  Shomik Chakravarty, guitar

  Matt Staley, guitar

  Kevin Wang, piano

  Noah Whitfield, bass

  Anand Badri, drums

Dan Zinn’s Advanced Combo

Instructor: Dan Zinn

Personnel:

  Trevor Orr, alto

  Robert Barner, guitar

  Chris Allen, piano

  Joe Constantini, bass

  Nick Duffy, drums

Frank Martin’s Advanced Combo

Instructor: Frank Martin

Personnel:

  Richard Conway, trumpet

  Alex Siegel, guitar

  Andrew Hutchinson, piano

  Seabrien Arata, drums

  Ali Warrick, drums

Created for the UC Jazz Club by RioVida Networks, LLC ©

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Ted Moore, Head of UC Jazz Introduction

Ted Moore, Director, UC Jazz Ensembles

Ted Moore created the UC Jazz Club to infuse his department with community spirit and to share his students’ talent with the Bay Area Community!

Ted Moore

Mr. Moore is head of the prestigious Jazz Department at UC Berkeley. Aside of his administrative duties he offers his skills as the Percussion Director of UC Jazz Ensembles Advanced Combo II, Improv Workshop

A graduate of the Eastman School of Music, Ted Moore has toured the world with Paul Winter, Marian McPartland, Stan Getz, Joe Williams and many others. For several years, he lived in Rio de Janeiro, Brazil, performing timpani and percussion with the Brazilian Symphony Orchestra, as well as touring and recording with one of Brazil’s leading saxophonists, Victor Assis Brasil. Mr. Moore has composed original scores for several films and television series, including the NOVA science series on PBS.

Since graduating from the Eastman School of Music, Ted has pursued a career which has taken him to many parts of the world with many different artists. He is leader and composer for his own Brazilian jazz group, Brasilia, which has released its first CD to national acclaim. He has performed with Stan Getz, Paul Winter, Marian McPartland, Eric Gale, Jack Wilkins, Gene Bertoncini, and Joey DeFrancesco. On tour, Ted has performed throughout the US and Canada, as well as Japan, Spain, England and Holland.

He also spent two years living in Rio de Janeiro as percussionist with the Brazilian Symphony Orchestra, and performing with many well known Brazilian jazz artists. He has played in Carnegie Hall, Lincoln Center, the Kennedy Center, the Cathedral of St. John in New York, Grace Cathedral in San Francisco and Suntory Hall in Tokyo.

Ted Moore, Director, UC Jazz Ensembles
Ted Moore, Director, UC Jazz Ensembles
Ted Moore’s Brasilia and the Oregon Symphony In February 2007, Director of UC Jazz, Ted Moore, will once again be performing his arrangements for small group and symphony orchestra, this time with the Oregon Symphony in Portland. The concert will feature his group, Brasilia, including Phil Markowitz on piano and Romero Lubambo on guitar. This follows last season’s appearances with the Rochester Philharmonic and the Vancouver Symphony.

“[Ted] Moore’s originals speak the bossa dialect more authentically than the compositions of perhaps any other non-Brazilian.” — Mark Holston, JazzIz magazine

“[Ted] Moore’s writing is true to bossa nova standards in its relentless melodicism and unexpected chord progressions. Driggs’ vocals effortlessly find the balance between strength and femininity.” Jazz Southwest magazine

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Welcome to the UC Jazz Club!

UC Jazz Club's First Members

Introduction

The new UC Jazz Club has been founded by the University Jazz Students and its faculty. We invite donors and volunteers who have an avid interest in enjoying and supporting our growing program.

The UC Jazz Club will offer several unique sponsorship opportunities for the purpose of remodeling the UC Jazz studios.

Our current and growing resources in the studios include equipment, practice areas, a jazz library and recordings of live performances of the UC Jazz Ensemble’s members.. 

Our goal is to uphold this Bay Area UC Jazz tradition which has enchanted the Bay Area and often the world since 1966.

Please contact Mr. Ted Moore, the department’s director to learn about the program.Contact us NOW for our Ad Sponsorship Opportunities at https://ucjazz.berkeley.edu/

 

 

 

 

 

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