A few years ago this was just a dream. Now with Space Nation that trip to the moon will become reality for more and more kids.
Space Nation’s space project for schoolchildren Space Nation offers thousands of Finnish schoolchildren the opportunity to participate in a fun SpaceSeeds science project. A teacher / school can order a research package containing locally grown radish seeds and ordinary radish seeds.
The seeds of space have been exposed to space conditions for nearly six months when they were sent to the International Space Station in October last year. Teachers guide children sowing seeds, and the science pack material enables students to track and compare how the growth and characteristics of ordinary and sparkling seed differ from each other. The first moment of excitement is to look at which seed germs faster.
Space Nation will open up their US Immersive Experience division in the US in June 2017, by Kasimir Lehto, an accomplished Finnish immersive experience AR and VR film maker.
The CEO of Space Nation Kalle Vähä-Jaakkola is excited to start the many collaborations necessary to with all companies, space programs, educators and countries who are interested in joining Space Nation’s preparing all of humanity for life in space.
The space media company Space Nation (Cohu Experience Ltd.) rose to the forefront of the global space boom by announcing the launch of the Space Nation Astronaut Program accessible to all. headquarters are in Helsinki, Finland, but our team spans from Helsinki to Madrid, Washington DC, New York, Florida, Houston, Denver and San Francisco.
Cohu Experience has built a strong network of leading space industry corporations as well as compiled an impressive advisory board including Michael Suffredini (former ISS director), John Barbera (formerly Turner Broadcasting), Michael D.Johnsson (Nanoracks, LLC.) and Peter Vesterbacka (Rovio Entertainment: Angry Birds).
The Space Nation Astronaut Program starts worldwide in 2017.
Liberty Sport Shoots for the Moon with Avaya Midmarket Solutions
SANTA CLARA, CA–(Marketwired – May 02, 2017) – As Liberty Sport grew into a dominant force in the performance eyewear industry and a choice for NASA missions, the company needed a new approach to communications and customer service to mirror the high quality of its products. Called to join the mission, Avaya Midmarket Solutions provided the functionality, mobility and remote accessibility that enables Liberty Sport to execute powerful launches with sustained contact at a level the company had not experienced before.
Significant growth brought Liberty Sport to a crossroads. It had to decide whether to support increasing demand by upgrading its existing solution from an Avaya competitor, or to consider solutions from other vendors. The company elected to change course once Avaya Midmarket Solutions came into the picture with unified communications and contact center support. Avaya offered functionality and efficiency that made an upgrade of their existing solution pale in comparison. Ultimately, the new Avaya solutions enabled Liberty Sport to:
Integrate with existing systems so agents are better informed when working with customers.
Increase scalability to handle more customers with better service quality.
Enhance mobility for traveling executives and managers, allowing them to use their smartphones to seamlessly access calls and messages sent to their company extension.
Provide better remote access for and oversight of work-at-home agents. When a major snowstorm caused some to lose power at their homes, agents were able to continue working from any location where they could get Internet access through a wifi connection.
Generate real-time and historic reports that enable better staffing strategies and performance improvements among the agent workforce. Management can view peak call times and adjust staffing as needed, which has already resulted in different shift hours. This will also lead to more revenue as agents are placed in roles where they can generate sales.
Significantly improved voice quality throughout the organization.
Liberty Sport Vice President Robin Young said:
“When I saw how much reporting functionality Avaya would give us, that’s what made me go this route. What Avaya offered was still more than what the upgraded system would give us. Avaya is always staying above the cusp, always striving to improve their products.”
Learn more about Liberty Sport and the company’s implementation of Avaya Midmarket Solutions in the case study.
About Liberty Sport
For nearly a century, Liberty Sport has been producing superior frames and lenses to handle the rigors of sport. Built to perform under demanding conditions, our products set the global standard for sports eyewear and Rx. From leading ASTM F803 impact sports protective to innovative sun technology, our commitment to research and innovation is unrivaled. And you’ll see that commitment in every product we make.
Avaya enables the mission critical, real-time communication applications of the world’s most important operations. As the global leader in delivering superior communications experiences, Avaya provides the most complete portfolio of software and services for contact center and unified communications with integrated, secure networking- offered on premises, in the cloud, or a hybrid. Today’s digital world requires some form of communications enablement, and no other company is better positioned to do this than Avaya. For more information, please visit www.avaya.com.
High School Nation Donating Millions to Arts and Music Budgets as Schools See Huge Shortfall
Recording Studios to be Built in Every School
CAMARILLO, CA–(Marketwired – Apr 12, 2017) – High School Nation, the country’s largest secondary school touring music festival, will top the $1.5 million mark in donations to high school arts and music programs this year when it kicks off its 2017 60-city Festival Tour. The goal of High School Nation is to promote the arts and music programs in high schools across the country, and this year the Festival will expand its donation program to include the establishment of recording studios in each of the schools where it appears.
“We believe that building recording studios will be a major step forward in high school music programs,” says Jimmy Cantillon, CEO and co-founder of High School Nation. “High school teachers and principals are very excited about this addition to our program. It’s a huge undertaking but we have companies in the industry who see the value and want to participate in any way they can.”
During the Festival Tour, High School Nation will take over football stadiums on each of the campuses and present a two-hour concert and events that will celebrate the arts in public schools. In addition to music programs, the Festival supports journalism, film, fine and performing arts, fashion, photography, and stage production.
Corporate sponsorships for the Festivals are being provided by over a dozen companies including Sparkling Ice, Guitar Center, Crayola, and Mars. PepsiCo, Microsoft, and Sony have all participated in the tours. As part of the Festival, students will visit interactive zones to interact with products and educational programs including the truth Zone, the Full Sail University Media Zone, the Hollister Style Zone, Guitar Center Music Zone, and the Crayola Sidewalk Chalk Zone.
The Festival Tour kicks off next week and will feature platinum selling rock band Plain White T’s. “We’re stoked to be headlining the High School Nation 2017 spring tour,” said band member Tom Higgenson. “We love the idea of playing our music and at the same time being able to help High School Nation donate to public school music programs. We believe it is a very important time to be assisting music programs as much as possible.” The band originally formed in 1997 by high school friends Higgenson and Dave Tirio.
“We are excited to be joining the High School Nation tour for the second year,” say Nina Morrison, vice president PR and community relations, of Talking Rain Beverage Company, the makers of Sparkling Ice. “The arts are a very important pillar of the high school experience and we’re honored to be able to help support the various programs.”
In addition to the above, one of this year’s leading sponsors is Truth Initiative, a national public health organization that is inspiring tobacco-free lives and building a culture where all youth and young adults reject tobacco through the proven-effective and nationally recognized truth® public education campaign. “Young people are using their creativity, through arts and music, to change the world and that’s why being part of High School Nation is so important to truth. The teen smoking rate is down to a historic low of 6 percent and this tour is an opportunity for us to give teens the tools they need join us in getting the rate to zero, because we believe they are the generation that can end smoking for good,” says Eric Ashe, Chief Marketing Officer, Truth Initiative.
“We are extremely thrilled to partner with High School Nation with its mission to make the musical instruments easily accessible to students,” says Brian Berman, Vice President of Marketing at Guitar Center. “Ensuring people have a creative outlet to express themselves in the form of music is very important to us at Guitar Center. High School Nation is doing a great job of providing opportunities for children across the U.S. to experience the invaluable gift of learning and playing a musical instrument.”
“Consumers naturally associate Crayola tools with coloring; it made sense for us to embrace that association essentially with kids of all ages, including teens and tweens, and be there for them,” says Kimberly Rompilla, Director of Platform Marketing at Crayola. “We have been involved in new product introductions and new initiatives with High School Nation and this Spring, we are excited to provide a colorful twist to teen outdoor activities, helping kids to express themselves throughout the season.”
The tours also feature a number of young, emerging performers brought in by record labels that see the benefits in being a part of this movement. RCA, Capital, Warner Bros. Records, and DreamWorks, are among the half dozen labels that have participated in the success of the Festival Tours.
“At the center of our Festivals are performances by some of the music industry’s hottest young rising stars,” Cantillon adds. “It’s one of the only opportunities for record labels and consumer products companies to come together to entertain, engage, and give back.” High school students, who spend over $260 billion per year on consumer products, are a significant audience for both the music industry and corporate sponsors.
About High School Nation:
High School Nation keeps music and arts programs alive for students across the country with donations, equipment and facilities.
Our Festival and Concert Tours are the largest events in the nation donating recording studios, musical equipment and funding for schools through on-campus sponsored live music concerts, and hands on activities. To date we have provided nearly $2 million to more than 200 schools and 600,000 students across the country.
Our culture is built around the development of innovative activities with significant and lifelong impact on teens. Through HSN, teens gain the chance to make music and the arts a significant part of their personal and, in some cases, future professional lives. Schools receive much needed funding to continue their educational programs, recording artists gain exposure to their biggest fans and brands make favorable and trusted impressions on a huge, underserved group of young consumers.
Yet today you would follow these interpretations of the meaning of your work with interest, and say that the motifs were chosen arbitrarily? Everything has a reason, including the selection of the photos, which was not arbitrary but appropriate to the period, its highs and lows and my sense of them.On Pop, East and West, and Some of the Picture Sources.
Uwe M. Schneede in Conversation with Gerhard Richter
Gerhard Richter was born to Horst and Hildegard Richter in Dresden on February 9, 1932. Gerhard was their first child, with a daughter, Gisela, arriving in 1936. Horst was a teacher and Hildegard was a bookseller and a talented pianist. They were a well-read middle-class family.
In 1946, Gerhard Richter’s father was released from the Americans who had captured him as a POW. He returned to his family, who had relocated from Reichenau to the even smaller Waltersdorf, a village on the Czech border. Horst’s reception was not as warm as he might have hoped. Commenting on this many years later, Gerhard explained: “He shared most fathers’ fate at the time… Nobody wanted them.” After working in a textile mill in nearby Zittau his father eventually found a post as an administrator of a distance learning program for an educational institution in Dresden.
Gerhard Richter was a highly gifted child but notoriously bad in school who even brought home poor grades in drawing. He attended a vocational school, where he studied stenography, accounting and Russian. Fortunately, he was just a little too young to have been conscripted to the army himself during the last year of the war. His two uncles died in the war and Gerhard Richter’s aunt Marianne was starved to death in a psychiatric clinic due the eugenics policies of the Third Reich who did not tolerate anyone deemed to have “mental issues.”
Gerhard remembered quite a lot of the war: “The retreating German soldiers, the convoys, the low-flying Russian planes shooting at refugees, the trenches, the weapons lying around everywhere, artillery, broken down cars. Then the invasions of the Russians […] the ransacking, rapes, a huge camp where us kids sometimes got barley soup.”14
The end of World War II in many ways coincided with Gerhard’s transition from childhood to adolescence, and, now under Soviet control following the Potsdam Agreement, it was to be a very different Germany to the one he had been born into.
In February 1950 he was taken on as an assistant set painter for the municipal theatre in Zittau for the sets for productions including Goethe’s Faust and Schiller’s William Tell among others. After a short time as a State Employee Gerhard Richter returned to his birth city of Dresden in the summer of 1951, ready to begin his formal studies to be a painter.
He enjoyed his studies at the Academy but was disturbed by the ever increasing
Nicolas Bearde’s China debut performance wll be at the Beijing National Theatre on May 28, with sax legend Vincent Herring. Bassist and promoter for this event, Peng Ji, one of the new generation of Chinese Jazz musicians, received his degree in Jazz bass performance in the Netherlands, and his MA degree from Queens College in New York.
He has also studied with legendary musicians Ron Carter and Antonio Hart, and performed with James Moody, George Cable, Don Braden and the like. The group also includes, pianist, Moreno Donadel, drummer, Anthony Vanacore and vocalist, Paulette McWilliams.
We wish Nicolas Bearde much enjoyment on his next new adventures in this part of the world.
Recently we had the pleasure of a personal interview with N’Kenge, one of the most accomplished musical artists of this century. Her accomplishments are too numerous to mention. First opera singer to win the Lena Horne Vocal Competition, first opera singer to win the New York State talented teen, starred in the world tour of Man in the Mirror Tribute Show to Michael Jackson, starred on West End London in the production of the Genius of Ray Charles, was nominated for a Helen Hayes Award for outstanding lead actress in arena stage’s production of 3 Mo Divas, she sang for Obama, Kofi Annan, Bill Clinton, did 140 shows in 2014 alone and received a proclamation from New York City Hall for her community work. Oh, she sings in 11 different languages. So it is a genuine honor to have her give us a personal interview. Enjoy!
What are your favorite upcoming projects?
I’ve started rehearsals this week for The Golden Apple musical which will be performed next month in the encore series at New York City Center. I’m excited to play the principal role of Mother Hare that doubles as Circe.
This summer will be filled with some exciting projects. In June, I will play the role of Tonya in a Showcase of the Broadway bound “54 The Musical.”
I also join Maestro Steve Reineke and the Philadelphia Orchestra in the concert Sophisticated Ladies/Ella Fitzgerald at the Saratoga Performing Arts Center.
What were your favorite performances?
Probably a combination of making my debut as Musetta in Puccini’s La Bohème at Virginia Opera and originating the role of Mary Wells in the Broadway’s MOTOWN: The Musical.
How did you get started in the entertainment industry?
I started singing at 10 years old at my elementary school in the Bronx PS 95. I landed the role of Patty in Snoopy,the Musical, and I got the music bug. All I ever wanted to do from that time onward was to sing and to make people happy through my music. I got a scholarship to get my Bachelor’s Degree at the Manhattan School of Music and a Master’s Degree at the Juilliard School. I was immediately singing with New York City Opera, Virginia Opera, and Seattle Opera once I graduated. Then I got cast in a show called 3 Mo Divas about opera singers who can sing in eight styles of music. That was the show that transitioned me into the Musical Theater and Pop World.
You have classical training, do you miss performing classical music or do you still work on it?
I still perform classical music with symphonies around the world and was the lead in a Wagner Opera during a vacation break from MOTOWN: The Musical, on Broadway. Probably the first and last time I would ever perform Wagner immediately after doing an eight show week of Motown music. Ha, ha.
When did you realize you wanted to become a singer / performer?
At 10 years old. My fifth grade teacher gave me a chance to perform on stage, and I’ve been addicted ever since. My mom was a huge supporter and was giving me every opportunity to perform – once she realized I had this gift.
Do you have advice for any young people who dream to become singers.
Turning dreams into reality comes with a recipe of hard work, perseverance and passion. Stay focused and develop a circle of people that will support you. Music is a hard career to break into, but if it’s what you LOVE then every step of your journey is worth it.
N’Kenge is such an amazing woman, such an amazing artist, and a genuine role model for kids all around the world. Learn more about her on her website: www.nkengemusic.com
FEVER- LIVE ON WEST END, LONDON in The Genius of Ray Charles
“DEFYING GRAVITY” AT IWF- Performed by N’Kenge
SKYFALL at the Legendary BIRDLAND JAZZ CLUB in NYC
In today’s modern world, people are feeling more disconnected and stressed than ever. Shambhu transforms the stillness and silence of meditation into calming sounds. An acclaimed guitarist and composer, Shambhu delivers a deeply soulful and self-reflective experience with his third studio album, Soothe, was released on February 1, 2017.
Shambhu recorded his new CD, “SOOTHE,” at Magic Cottage Studios (Lagunitas, CA) with producer Todd Boston. Artists featured on the CD include Shambhu on acoustic and electric guitars, Michael Manring on bass, Jeff Haynes on percussion, Frank Martin on piano, Paul McCandless on reeds, Premik Russell Tubbs on soprano sax and wind synth, George Brooks on soprano sax, Ravichandra Kulur on bansuri flute, Kristin Hoffmann on vocals, and Gurumurthy V on tabla.
As noted album reviewer, John Apice, states in his stellar review: “At first, unfamiliar ears will find this particular tune of Shambhu’s too dreamy. Upon closer listen it will reveal subtle instrumental nuances that weave equally beautifully as Reverberi, Morricone, and Kaemphert had — through every measure. This at least, is my interpretation and where I believe the greatness of Shambhu could possibly lie. If it becomes true, he would occupy quite a respectable space beside these musicians. “Time Travel,” has a sprightlier guitar — similar in nature to Pat Metheny — and the horns are smooth as silk. The strum of the acoustic guitars is Kaemphert in nature. But overall, the style is brilliantly developed by Shambhu – who plays acoustic and electric guitars, adds voice, tosses in a 6-string ukulele, e-sitar and e-pads.”
John Apice goes on to say: “The title track “Soothe,” opens with pristine and pensive acoustic guitar. At times this kind of music is similar to passages performed by The Moody Blues at their height. However, Shambhu is not just offering a sample, but an entire piece with female vocals just under the surface, soaring benevolently. The tone is similar to acoustic guitar master Leo Kottke and is intricately beautiful in the same way as many of his classic instrumentals.” Full Article
Shambhu invites you into his “Soothe” sound scapes of perfect harmony. He provides an energetic field that is conducive for a deep meeting with your Self, a space and a time conducive to integrate your ID with your Higher Self. His spiritual music of Soothe, his knowledge of meditation, and expertise in harmonizing energies allows you to shed the stresses of every day life. Join him on this spiritual journey to get in tune again with Gaia Nature and your own Nature from a spiritual sense. Feel as mellow as though you were sitting on the beach in Maui, right in the heart of NYC or where ever you are burdened with a hectic schedule.
As a successful business man Shambhu (Neil) Vineberg knows all about the pressures of dealing with time, traffic, presentations, deadlines, family commitment, investments, health and changes in politics and trends. To stay calm and balanced Shambhu began at a very young age to learn how to meditate. He now will share his ability to harmonize his energy body with you to allow you to benefit from his many years of studying and practicing the spiritual teachings of the Sri Chinmoy, Jack Kornfield, and many more.
The Shambhu Harmonics allows you to breathe deep, let go of everyday stressors, smoothe out the wrinkles of the many challenges you face and allows you guilt free “me time” guiding you back to you centered self. Come join us and experience the harmony that is created when like-minded people join together and focus on peace and harmony. Give your heart and mind a tune-up on a cell level. The next Shambhu Harmonics event will be held in San Diego on May 23rd at the Pilgrimage Yoga. You may also enjoy his upcoming concerts at a variety of San Diego wineries.
To buy the CD visit Amazon, Itunes or your favorite store. It is also available on Spotify, or purchase it right on Shambhu’s store.
Meditation and Mindfulness works to improve health. Our attitudes affect our sleep, hormones and blood pressure.
A study by the Endocrine Society shows that losing as little as 30 minutes of sleep over the course of 12 months can increase obesity risk by 17% and insulin resistance by 39%. “Sleep deprivation impairs good metabolic balance,” says Elissa Epel, PhD, a professor in the department of psychiatry at the University of California, San Francisco.
Without effective screening, common hormonal causes of high blood pressure, such as the disorder termed “primary aldosteronism”, often go undiagnosed and untreated. This can leave individuals with these conditions at greater risk of developing cardiovascular disease, renal disease leading to dialysis or even dying.
High blood pressure, also known as hypertension, affects one in four American adults, according to the Scientific Statement. In about 15 percent of these cases, high blood pressure is caused by hormone, kidney or other disorders. The rate can be as high as 50 percent among children and 30 percent among young adults.
“Without appropriate lab tests, some common endocrine disorders are nearly indistinguishable from a routine case of hypertension,” said Endocrine Society Past President William F. Young, Jr., M.D., M.Sc., of the Mayo Clinic in Rochester, Minn., and the chair of the task force that authored the Society’s Scientific Statement. “Screening for underlying causes of high blood pressure can save lives. This new resource offers healthcare providers valuable guidance on when to suspect a hormone disorder and how to test for it.”
Hypertension can be the first sign of any of 15 endocrine disorders. The endocrine system produces and controls hormones—the chemical messengers that govern growth, reproduction, metabolism, breathing and other essential bodily functions. Potential causes of high blood pressure can include tumors that produce adrenal hormones such as aldosterone and adrenaline, thyroid disorders, obstructive sleep apnea, or acromegaly, a rare condition where excess growth hormone builds up in the bloodstream. The Scientific Statement delves into the number of people affected by the 15 endocrine disorders and the screening process for these disorders.
The most common endocrine cause of high blood pressure is primary aldosteronism. Primary aldosteronism occurs when the adrenal glands—the small glands located on the top of each kidney—produce too much of the hormone aldosterone. This causes a build-up of aldosterone, which normally balances blood levels of sodium and potassium. The resulting excess sodium can raise blood pressure levels.
“Healthcare providers should consider primary aldosteronism screening for most people who have hypertension,” Young said. “The condition can be easily treated and often cured when it is diagnosed. Early detection also reverses the elevated risk of cardiovascular events and kidney failure in this population.”
Other authors of the statement include: David A. Calhoun of the University of Alabama at Birmingham in Birmingham, Ala.; Jacques W.M. Lenders of Radboud University Medical Centre in Nijmegen, the Netherlands, and University Hospital Carl Gustav Carus, Technische Universität in Dresden, Germany; Michael Stowasser of the University of Queensland School of Medicine, Greenslopes Private Hospital and Princess Alexandra Hospital in Queensland, Australia; and Stephen C. Textor of the Mayo Clinic in Rochester, Minn.
LOS ANGELES, April 13, 2017 /PRNewswire/ — As a producer, engineer and musician, 23 year old, Midi Jones began making music at 12 and professionally at 18 years old under Motown Records legend Berry Gordy and his son, esteemed record exec Kerry Gordy. Growing up with notable industry family figures that included Norman Whitfield, (a Motown legend with hits including Marvin Gaye’s “Heard It Through the Grapevine” and The Temptations “Papa Was a Rolling Stone”), it’s no surprise that Midi developed an ear for a classic sound that would transform his evolving pop electronic style throughout his career.
SyncStories A&R & Operations Manager, Shannon Nicole Roc states, “I heard about a producer named Midi Jones and when I listened to his records, I knew I found a hidden gem. The level of his production and the intensity of his sound was enough for me to know that SyncStories had to work with him. I shared his music with our founder, Eric Vasquez, and SyncStories signed him immediately.”
As an in-demand emerging producer, Midi’s quickly becoming a “go-to” for major label artists. Recent releases include Jadagrace (Capitol Records), slated Smokey Robinson release (Motown Universal) and Avalon Young (American Idol Season XV top 8) featuring Xavier Omår which charted #2 on the iTunes R&B album charts and twice featured in Billboard. Midi is also a regular collaborator with songwriter, Sam Hook (The Game, Miley Cyrus, Nick Jonas) and worked on records for Kurupt, Brillz, Kyan, Esta (Soulection) and Ronnie DeVoe (New Edition, Bel Biv DeVoe).
In early 2017, SyncStories signed Midi to a multi-year publishing deal. The relationship began naturally through company A&R efforts in late 2016. With momentum and excitement beyond the horizon, 2017 is as bright as ever for this budding wonder kid.
SyncStories is a hybrid music group servicing TV, Film, Interactive Media and Commercial Recording Artists. The company’s activities include Music Publishing, Artist Management, A&R, Music Production, and Global TV & Film licensing operations as a commercial artist division of 5 Alarm Music – N. America.
Headliners Include Terri Lyne Carrington, Madison McFerrin,
Bob Dorough, Jeff Bradshaw, Jaguar Wright,
Orrin Evans, Gerald Veasley, and more
The Bynum Brothers–Robert and Ben Bynum, creators of popular restaurants/jazz venues including SOUTH, Paris Bistro, RELISH, Warmdaddy’s, as well as the former internationally recognized Zanzibar Blue–are proud to announce, in conjunction with Philadelphia’s Office of Arts, Culture and Creative Economy, The Philadelphia Jazz Festival. The Festival, which will be presented as part of Jazz Appreciation Month, is set to take place in multiple venues across the city from Sunday, April 23 through Sunday, April 30.
The Bynum Brothers, have created a new non-profit organization whose mission is to support local, national, and internationally recognized artists. The festival will strive to create an impactful annual event that will resonate throughout the Mid-Atlantic region and to preserve and promote the emblematic jazz history of Philadelphia. “We support Philadelphia’s diverse pool of musicians 52 weeks a year in four different locations across the city,” explains Robert Bynum. “This Philadelphia Jazz Festival, along with the PJE, is about strengthening the fabric of our community and cultivating future generations of fans, artists, and jazz admirers.”
In their inaugural year, the Philadelphia Jazz Festival will present a comprehensive mix of artists across a broad musical spectrum. Multiple Grammy® Award-winning drummer and composer Terri Lyne Carrington; Madison McFerrin, daughter of Bobby McFerrin; original member of thefamed Saturday Night Live band Steve Turre; 93-year-old pianist/singer/composer Bob Dorough, and others will perform throughout the week while locals includingLil John Roberts, Jeff Bradshaw, and Jaguar Wright are also set to appear. The Philadelphia Jazz Festival will support the return engagement of esteemed alumnus and newly signed Mack Avenue Records recording artist Joey DeFrancesco (who recently received a star on the Philadelphia Walk of Fame) as part of a local All-Star band, Randy Brecker, E-Lew(Eric Lewis), and others. Pianist Orrin Evans and bassist Gerald Veasley, both of whom helped launch a pair of weekly series at SOUTH, are also slated to perform.
While the music certainly stands on its own, the Festival will also offer an important Education & Outreach component with several events throughout the week. Partnered with organizations such as the Kimmel Center, Jazz Lives Philadelphia, and Jazz Journeys, youths and seniors have been invited to attend a “Meeting with the Masters” program, various meet and greets, discussions, luncheons, and more with artists like Leon Jordon Sr., Orrin Evans, and Gerald Veasley. The Festival will have a strong charity component targeting the Food Connect Group, Big Brothers and Big Sisters and the North Broad Street Renaissance as beneficiaries of this year’s festival.
The Festival’s partnerships include the following venues: SOUTH, Chris’ Jazz Club, World Café Live, Warmdaddy’s, RELISH, The Philadelphia Clef Club, The Paris Bistro, Ardmore Music Hall, and the new Michael Nutter Theater at the Philadelphia Convention Center amongst others. Sponsors and supporters for the festival include Philadelphia’s Office of Arts, Culture and the Creative Economy, PECO, Stella Artois, Brown Foreman, Promixo Beverage, Penn Beer, Breakthru Beverage, Southern Wines & Spirits, among others.
How are people who spend between 30% to over 50% of their salaries afford $14,900 for health insurance, the co payments and the medicine, should they be unlucky enough to fall ill? The budget committee suggested that merely 24 Million will loose health care, we venture to guess that it will be many more, since being driven out of your home at a late age, will undoubtedly cause stress related illness for the partner who has to relay this sad fact to their ill spouse. Loosing the family home with nowhere to go is a cruel situation to impose on older people. It is embarrassing to have leaders who call themselves leaders who can’t see how horribly uncivilized the mere suggestion of this actually is.
So shocking that the GOP wants to force older people to choose between providing health care for their loves ones, or staying in their home. Becoming homeless will hurt the elderly, so it seems that the GOP is knowingly trying to allowing people suffer from loosing their home and destabilize their lives so they can pay for a $883 Billion dollar tax cut for the hyper wealthy.
This is the behavior we could expect from Russian Oligarchs. This is not part of civilized Western or Asian thinking. So what does this mean in terms of the stability of the civilized world?
Will Americans and by extension Europeans allow puppets of the Russian Oligarchy take over the West?
Tillerson sidelined and replaced by two financial oligarchs who are working for their personal and family’s fortunes and Lt. Gen. H. R. McMaster who is meant to be a National Security Advisor. If he is an advisor why is the Secretary of State sidelined? What is their agenda?
So the US is now run by Real Estate Mogul Jared Kushner – who has is still involved in major real estate deals – contrary to the earlier press releases.
Gary Cohn, ex Goldman Sachs president, who still managers nearly 1 Million shares of Goldman Sachs, essentially still working for Goldman Sachs.
In a NYT article Kate Kelly on JAN. 25, 2017:
“Goldman Sachs has rewarded its departing president, Gary D. Cohn, with expedited access to cash and stock payments valued at nearly $300 million, and in doing so has tacitly encouraged another of its executives to accept an influential role in Washington. Late on Tuesday, Mr. Cohn, director of the National Economic Council advising President Trump, disclosed in a securities filing that he and his family members had received ownership that day of 940,908 shares of Goldman stock — a position valued at nearly $220 million. That award came in addition to a cash payout, announced the same day, amounting to about $65 million, leaving him with a total windfall of about $285 million.”
Lt. Gen. H. R. McMaster, National Security Advisor, replaced Michael Flynn who apparently turned out to be a foreign agent and working for Putin, together with Carter Page, Giuliani, Sessions, Kushner and many others.
What is the agenda? Is there an agenda other than setting up more Trump and Kushner properties, under threat of a Military invasion or Financial Blackmail. With Trump wanting to get rid of all the “bad hombres” clearly the meeting was not meant to be friendly. Or, is the “bad hombres” fake news, merely meant to distract us of the biggest Oligarch take over of our country.
Russian affiliated paid smear campaigner, foreign agent, Michael Flynn, paid FBI official to derail Clinton’s presidential campaign.
Yes, we know, the electorate voted for Trump and therefore he is the legitimate US president and leader of the Western World. This is how Democracy works.
Homeland Security? What security?
However, we also know that there has been a fight between the CIA and the FBI for many years now and we know that the FBI has started to work internationally. Now we know that some, perhaps bad apples, within the FBI are working against Democracy. And, yes we are aware of all the CIA, dark prison sights, drug deals like the Iran Contra debacle, etc.
The FBI has done an amazing job recently arresting human traffickers and child abusers. We applaud that effort and we therefore know that not everyone within the FBI is working on corrupting the system with the goal to eliminate Democracy. We do however know without a shadow of a doubt that both Putin and Erdogan do not believe in democracy, do not believe in freedom of speech, do not believe that we are all created equal.
So when will people in this country rise up and start working on cleaning up the language used in public discourse? Dictators throughout history have perverted language to obfuscate what they are saying. Throughout history dictators have believed that they are “superior, demigod like” creatures, or at minimum “cleverer” than the stupid public, who can be sold anything by simply telling them what they want to hear instead of the truth. This is a technique that has been used for thousands of years.
Without a shadow of a doubt, Putin, Erdogan, Kim Jong-un, to some extent the Chinese and Indian government, all of which have vastly different political systems than the West, are working hard to undermine the West and bring back the old feudalist system. We don’t have to get into the EMEA or Africa because they really never stopped functioning in the feudalistic system of tribal oppression.
It is astounding how much more proof Western Journalists seem to need before they start addressing the elephant in the room. The Feudalistic Power Brokers run the world, always have and always will. That is not the question, the question is how miserable they allow the vast public has to become.
In Russia you have Oligarchs and serfs. You have the rich who have gilded 1000 room homes with a vast serving staff, and you have the long lines in front of the grocery stores because the country is run in such a corrupt and inept way that it is simply inhumane.
In Turkey you have journalist who “offend” the crazy self appointed Dictators arrested, while his crazy wife wants to bring back the “fine tradition” of a harem, essentially a thousand locked up slave girl who are supposed to attend to everyone of their perverted needs.
In China, if you offend the communist leadership, entire families are blackmailed or worse, and people are regularly locked up and worse.
In India they voted for a president who shot 1000 people dead in one of the worst massacres in human history. Yet neither Indians nor the rest of the world says anything or does anything, while watching as he roles back the advances reached over the past 20 years.
In Germany only a few years ago Merkel wanted to abolish freedom of speech to “serve” her megalomanic plan of being the leader of Europe and letting Erdogan get away with clear offenses against journalistic freedoms. She literally sided with that creep and tried to arrest bloggers for “treason.” She rewarded Erdogan with an EU down payment of $3 Billion dollars to stop the flow of refugees and to save from her world leadership responsibility of setting up policies that actually work to keep people safe in Africa. These people are fleeing for a reason. Address the reason and they probably would love to just stay home.
Yet, the Western Media and the Western governments, and by extension the public, all turn a blind eye to all these human rights offenses and abuses. Now that the Barbarians are inside the gate, will we continue to serve the mighty Mammon over human rights? When will the media and the public stand up and say: “Enough! We are not going to cooperate with this perversion of humanistic values any more? ”
How much more proof do we need that our world is being changed before or very eyes? How much more proof do we need that kindness, humanity, mutual support and mutual respect – all prerequisites for a free world are laughed at by these Barbarians, who care about nothing but material wealth? The Bolsheviks ruined Russia, the communists ruined China, the medieval Islamic values of the Ottoman Empire are ruining most of the Muslim countries.
When I was young I promoted international trade, because I thought that lifting people out of poverty all around the world, would allow everyone to become more civilized. Unfortunately, I believe now that what happened is that these uncivilized nations, are working on influencing us to become uncivilized just like them.
The Third World with all its filth, oppression, brutality, exploitation, perversion is encroaching on us. Why are we standing by? Why after 30 years of this development are we still pretending that we can’t see it? Or, is it that our social climbers, nouveau riches, just don’t want to or genuinely can’t see it and we allow it to happen, because we don’t want to get our hands dirty.
The genuine elite, whether they come from genuinely old money, or genuinely close-knit and mutually supportive families from all walks of life, namely those whose families are aware of the cycle in political upheaval, we are so conflict averse. Why deal with those shameful conditions, when we can sit in our ivory towers, get our hair done, and focus on choosing nice art, delicious cuisine and fine wine? Why not ignore our parents, grand parents, great grand parents stories of international turmoil and the resulting hardships for the public?
Do we seriously believe this will not affect us? If so, that is genuine ignorance. Yes, can money be made during times of war. Yes, of course. Much money. Can money be made after the wars, when entire nations have to be rebuilt? Of course, more money than during normal times.
But do we seriously believe that with Nuclear Weapons in the hand of Barbarians, we will not be affected? That is blind trust. If you trust that mentally unstable people will not start a war, will not create conditions of horrific inhumanity, than your cumulative understanding of what civilization is about has genuinely been lost, along with your ability to think clearly.
We need to decide to recommit to humanistic values and we need to do it quickly, swiftly, and without leaving any shadow of a doubt, that the Barbarians should move back into their caves and not come out until they are willing to behaved in a polite and civilized manner. The privileges of wealth and leadership in the wrong hands are disastrous.
Saturday March 25, “An Evening with Rolando Morales and Carlos Reyes,” Sausalito Seahorse, 305 Harbor Drive, Sausalito, approx. 8:30-11:30pm. After months away, these two passionate musicians finally return to The Seahorse to put on their unique show at this fun waterfront restaurant and club. The great Paraguayan harpist/violinist Carlos Reyes and passionate guitarist/vocalist Rolando Morales will play a short set in duet to close out the dinner hour, followed by a concert and dancing to the World Class Rolando Morales Group featuring from the Gregg Rolie Band, the exciting bassist Gary Brown; from Brazil, the amazing drummer from Airto and Steve Winwood, Celso Alberti; from Rubén Blades and Dizzy Gillespie, Nicaraguan Latin percussionist/vocalist Danilo Paíz; from Paraguay, the thrilling violinist and harpist from Arturo Sandoval and Steve Miller, Carlos Reyes; and the powerful Rolando Morales leading the journey on guitar, guitar synthesizer and vocals. Don’t miss it! $15. Make your reservations at (415) 331-2899. www.sausalitoseahorse.com
An homage to John Lennon opens Project Freedom with a gorgeous snippet of “Imagine” (Prelude) with a soaring tribute to J. Rosamond Johnson’s uplifting composition, “Lift Every Voice and Sing” rounding out the purifying package. DeFrancesco’s new Project Freedom band, The People–a unit he’s currently touring the world with–helps him to see and feel things in a radically different manner than the past.
There’s in-the-pocket drummer Jason Brown who nearly got pigeonholed playing “straight Philly Joe Jones style; nothing wrong with that,” until DeFrancesco helped set him free. There’s guitarist Dan Wilson who has that “George Benson-Wes Montgomery-Grant Green thing down cold, and he comes out of the church, so that’s part of his thing too.”
DeFrancesco wanted to add a good solid saxophonist to the band for some time, and he found one in Troy Roberts, the man behind the tenor and soprano saxophones on tunes such as the alluringly intuitive “Better Than Yesterday.”
From self-penned titles such as “Karma” and “Peace Bridge,” DeFrancesco is telling a story of love, humanity and positivity at a time of overwhelming negativity, to spread goodness when the news runs rampant with stories of brutality, violence and prejudice.
One song that’s become a centerpiece within the ideology of Project Freedom is the quartet’s lustrous cover of “Lift Every Voice and Sing,” a song DeFrancesco began improvising as an encore for his 2003 appearance at the Detroit Jazz Festival. “The crowd was perfect, the weather was perfect, the song just came out of me and the next thing you know the crowd is swaying, men took their hats off and women began to cry. Me too. It was a truly sanctified experience where we all became one, transcending music and melody. I wanted to relive that story, that feeling, on Project Freedom.”
Joey DeFrancesco, is a modern-day avatar of the Hammond B3 organ and the Philadelphia history he shares with his principle instrument. Organ-based blues and jazz started in Philly and DeFrancesco is the first to tell you so. His bluesy, blustery sensibility is shared with the men in his family: saxophonist/grandfather Joseph DeFrancesco, and his father–organist “Papa” John DeFrancesco. Jazz lovers also dig DeFrancesco’s second instrument, the trumpet, and the inspiration gleaned from his first big boss, Miles Davis–with whom DeFrancesco gigged when the organist was in his late teens.
DeFrancesco stopped by the City of Brotherly Love to receive a star on the Philadelphia Music Walk of Fame alongside local giants such as Coltrane, Dizzy and Nina Simone.
Being a frequent flyer with a globe-hopping world touring schedule has given DeFrancesco insight into differing–but not opposing–viewpoints that he longed to espouse through music. “I always thought that as touring musicians, we were spreading peace. No matter what happens in the world, we keep playing. In a lot of the so-called forbidden places too.
When we’re there, through war and conflict, problems melt away through music. We’re playing for these people, hanging out with them, and we all come together and we’re grooving with each other because of the music. That is true freedom. Music is true freedom.”
Joey DeFrancesco & The People ·Project Freedom
Mack Avenue Records · Release Date: March 10, 2017
Celia Bullwinkel is an animator who lives and works in New York City. She has worked on feature films (Hedwig and the Angry Inch, Chicago 10, Hair High), TV shows (Little Bill, MTV’s Friday, Ugly Americans, Wonder Pets), and far too many commercial projects.
“Alpha’s Bet,” her music video collaboration with visual artist Rammellzee, was exhibited in 2011 at the Museum of Contemporary Art, Los Angeles. She is a faculty member at the School of Visual Arts animation department, and teaches at the Fashion Institute of Technology’s MFA Illustration program. Sidewalk is her first independent film. She collaborated with composer and jazz artist Joshua Moshier, who is a rising star in his own right.
Joshua Moshier as the composer for her new shortfilm was a great choice
Her collaboration with Josh has certainly given the animation a lot of “legs.” 🙂
Josh has contributed his musical voice to a number of bands including trumpeter Marquis Hill’s Blacktet and the Moshier-Lebrun Collective with saxophonist Mike Lebrun. His music has been profiled on NPR’s JazzSet with Dee Dee Bridgewater and cited by the Chicago Tribune for “considerable lyric grace and compositional forethought.” Josh premiered his extended work, The Studs Terkel Project at the Chicago Cultural Center, commissioned by Chamber Music America’s New Works program and inspired by the writing of the oral historian Studs Terkel. Josh has also worked as a sideman with Milton Suggs, Larry Brown, John Moulder and Dara Tucker. With Mike Lebrun he has released Joy Not Jaded (OA2 Records) and The Local Colorists (Digital EP). Most recently, Josh led a quintet featuring Marquis Hill, John Wojciechowski, Dana Hall and Clark Sommers for a three-night run in Chicago.