hosted by Joyce Gordon Foundation of the Arts is a Youth Festival featured and organized by youth and young adults.
ORGANIZERS (just to name a few):
Youth Urban Farm Project, Eastside Art Alliance
Joyce Gordon Foundation of the Arts, Attitudinal Healing Center, Downtown TAY, HHREC, Oakland Unite and You!
YOUTH ART EVENTS (just to name a few)
Hip Hop and Jazz Band Performance, Urban Youth Farmers Market, Live Painting Mural Projects, OYAE Youth Cinema, Dance Group Performances, Spoken Word/Open Mic, Painting Workshop w/ Professional Artists, Youth Art Exhibit (preview in July @Joyce Gordon Gallery) Martial Arts and more!
SPONSORS (just to name a few)
Carmel Partners, Akonadi Foundation, Greenlining Institute, Geoffrey’s InnerCircle, HHREC
Joyce Gordon Foundation of the Arts is a nonprofit cultural resource for Oakland and the Bay area community. Committed to the development of artist and enriching the cultural landscape by engaging a diverse group (emerging artist, seniors, veterans, those with disabilities) to dream and work together to bring about positive change while building community.
Yet today you would follow these interpretations of the meaning of your work with interest, and say that the motifs were chosen arbitrarily? Everything has a reason, including the selection of the photos, which was not arbitrary but appropriate to the period, its highs and lows and my sense of them.On Pop, East and West, and Some of the Picture Sources.
Uwe M. Schneede in Conversation with Gerhard Richter
Gerhard Richter was born to Horst and Hildegard Richter in Dresden on February 9, 1932. Gerhard was their first child, with a daughter, Gisela, arriving in 1936. Horst was a teacher and Hildegard was a bookseller and a talented pianist. They were a well-read middle-class family.
In 1946, Gerhard Richter’s father was released from the Americans who had captured him as a POW. He returned to his family, who had relocated from Reichenau to the even smaller Waltersdorf, a village on the Czech border. Horst’s reception was not as warm as he might have hoped. Commenting on this many years later, Gerhard explained: “He shared most fathers’ fate at the time… Nobody wanted them.” After working in a textile mill in nearby Zittau his father eventually found a post as an administrator of a distance learning program for an educational institution in Dresden.
Gerhard Richter was a highly gifted child but notoriously bad in school who even brought home poor grades in drawing. He attended a vocational school, where he studied stenography, accounting and Russian. Fortunately, he was just a little too young to have been conscripted to the army himself during the last year of the war. His two uncles died in the war and Gerhard Richter’s aunt Marianne was starved to death in a psychiatric clinic due the eugenics policies of the Third Reich who did not tolerate anyone deemed to have “mental issues.”
Gerhard remembered quite a lot of the war: “The retreating German soldiers, the convoys, the low-flying Russian planes shooting at refugees, the trenches, the weapons lying around everywhere, artillery, broken down cars. Then the invasions of the Russians […] the ransacking, rapes, a huge camp where us kids sometimes got barley soup.”14
The end of World War II in many ways coincided with Gerhard’s transition from childhood to adolescence, and, now under Soviet control following the Potsdam Agreement, it was to be a very different Germany to the one he had been born into.
In February 1950 he was taken on as an assistant set painter for the municipal theatre in Zittau for the sets for productions including Goethe’s Faust and Schiller’s William Tell among others. After a short time as a State Employee Gerhard Richter returned to his birth city of Dresden in the summer of 1951, ready to begin his formal studies to be a painter.
He enjoyed his studies at the Academy but was disturbed by the ever increasing
Headliners Include Terri Lyne Carrington, Madison McFerrin,
Bob Dorough, Jeff Bradshaw, Jaguar Wright,
Orrin Evans, Gerald Veasley, and more
Philadelphia Jazz Festval 2017
The Bynum Brothers–Robert and Ben Bynum, creators of popular restaurants/jazz venues including SOUTH, Paris Bistro, RELISH, Warmdaddy’s, as well as the former internationally recognized Zanzibar Blue–are proud to announce, in conjunction with Philadelphia’s Office of Arts, Culture and Creative Economy, The Philadelphia Jazz Festival. The Festival, which will be presented as part of Jazz Appreciation Month, is set to take place in multiple venues across the city from Sunday, April 23 through Sunday, April 30.
The Bynum Brothers, have created a new non-profit organization whose mission is to support local, national, and internationally recognized artists. The festival will strive to create an impactful annual event that will resonate throughout the Mid-Atlantic region and to preserve and promote the emblematic jazz history of Philadelphia. “We support Philadelphia’s diverse pool of musicians 52 weeks a year in four different locations across the city,” explains Robert Bynum. “This Philadelphia Jazz Festival, along with the PJE, is about strengthening the fabric of our community and cultivating future generations of fans, artists, and jazz admirers.”
In their inaugural year, the Philadelphia Jazz Festival will present a comprehensive mix of artists across a broad musical spectrum. Multiple Grammy® Award-winning drummer and composer Terri Lyne Carrington; Madison McFerrin, daughter of Bobby McFerrin; original member of thefamed Saturday Night Live band Steve Turre; 93-year-old pianist/singer/composer Bob Dorough, and others will perform throughout the week while locals includingLil John Roberts, Jeff Bradshaw, and Jaguar Wright are also set to appear. The Philadelphia Jazz Festival will support the return engagement of esteemed alumnus and newly signed Mack Avenue Records recording artist Joey DeFrancesco (who recently received a star on the Philadelphia Walk of Fame) as part of a local All-Star band, Randy Brecker, E-Lew(Eric Lewis), and others. Pianist Orrin Evans and bassist Gerald Veasley, both of whom helped launch a pair of weekly series at SOUTH, are also slated to perform.
While the music certainly stands on its own, the Festival will also offer an important Education & Outreach component with several events throughout the week. Partnered with organizations such as the Kimmel Center, Jazz Lives Philadelphia, and Jazz Journeys, youths and seniors have been invited to attend a “Meeting with the Masters” program, various meet and greets, discussions, luncheons, and more with artists like Leon Jordon Sr., Orrin Evans, and Gerald Veasley. The Festival will have a strong charity component targeting the Food Connect Group, Big Brothers and Big Sisters and the North Broad Street Renaissance as beneficiaries of this year’s festival.
The Festival’s partnerships include the following venues: SOUTH, Chris’ Jazz Club, World Café Live, Warmdaddy’s, RELISH, The Philadelphia Clef Club, The Paris Bistro, Ardmore Music Hall, and the new Michael Nutter Theater at the Philadelphia Convention Center amongst others. Sponsors and supporters for the festival include Philadelphia’s Office of Arts, Culture and the Creative Economy, PECO, Stella Artois, Brown Foreman, Promixo Beverage, Penn Beer, Breakthru Beverage, Southern Wines & Spirits, among others.
Celia Bullwinkel is perfect for these days as women awaken to the fact that we need to accept ourselves, whether or not men accept us for who we are or who they want us to be.
Such an honest and fun video for women… by Celia Bullwinkel
Celia Bullwinkel is an animator who lives and works in New York City. She has worked on feature films (Hedwig and the Angry Inch, Chicago 10, Hair High), TV shows (Little Bill, MTV’s Friday, Ugly Americans, Wonder Pets), and far too many commercial projects.
“Alpha’s Bet,” her music video collaboration with visual artist Rammellzee, was exhibited in 2011 at the Museum of Contemporary Art, Los Angeles. She is a faculty member at the School of Visual Arts animation department, and teaches at the Fashion Institute of Technology’s MFA Illustration program. Sidewalk is her first independent film. She collaborated with composer and jazz artist Joshua Moshier, who is a rising star in his own right.
Joshua Moshier as the composer for her new shortfilm was a great choice
Her collaboration with Josh has certainly given the animation a lot of “legs.” 🙂
Josh has contributed his musical voice to a number of bands including trumpeter Marquis Hill’s Blacktet and the Moshier-Lebrun Collective with saxophonist Mike Lebrun. His music has been profiled on NPR’s JazzSet with Dee Dee Bridgewater and cited by the Chicago Tribune for “considerable lyric grace and compositional forethought.” Josh premiered his extended work, The Studs Terkel Project at the Chicago Cultural Center, commissioned by Chamber Music America’s New Works program and inspired by the writing of the oral historian Studs Terkel. Josh has also worked as a sideman with Milton Suggs, Larry Brown, John Moulder and Dara Tucker. With Mike Lebrun he has released Joy Not Jaded (OA2 Records) and The Local Colorists (Digital EP). Most recently, Josh led a quintet featuring Marquis Hill, John Wojciechowski, Dana Hall and Clark Sommers for a three-night run in Chicago.