Scarlet Begonias and Fire on the Mountain
Performed by Cryptical with Stu Allen
Saturday, November 23, 2013
David Mort’s latest book “Voodoo Child” is available now from the Kindle Book Store. You may be interested in it as it covers the evolution of the blues and rock.
One of rock music’s more iconic images is that of Jimi Hendrix onstage at the Monterey Pop Festival in ’67, kneeling over the remains of his burning guitar after his performance of “Wild Thing.” He was beckoning the flames to rise as if summoning up demons and dragons from hell, which is what several fans described as witnessing after ingesting “Monterey Purple,” a strain of LSD concocted especially for the event.
Thirty years earlier, a bluesman by the name of Robert Johnson supposedly made a pact with the Devil at the crossroads in return for becoming an Ace” on the guitar. So perhaps Jimi had made a similar pact as both their souls were claimed at the age of 27. And before Robert there was another “Ace” named Charlie Patton who, like Jimi, could play the guitar behind his back, above his head and with his teeth. And before Jimi there was T Bone Walker who performed in a similar fashion. And as these three musicians were African Americans with Cherokee ancestors, perhaps they’d inherited an added spiritual dimension.
By the time Robert Johnson made his supposed pact however, the myth was already as old as the hills. The fact is that most blues musicians were itinerants who’d chosen a life on the road over a mundane, family or domestic existence, leading loved ones to conclude they were dancing to the devil’s tune.
For the purposes of my story, which traces the evolution of blues, r n b, soul and rock n roll from the Mississippi flood of ’27 to the deaths of Hendrix, Janis Joplin and Jim Morrison, all such talented musicians, those deemed “Aces” “Kings” or “Queens,” had made similar pacts with the devil. Artists such as Buddy Holly, Bessie Smith, Eddie Cochran, Billie Holiday, Sam Cooke and Otis Redding, who when their respective souls passed over, often after meeting a violent death at an early age, could be claimed to play for the “ARKestra Paradiso.”
This “ARKestra,” so called because it boasts two players per instrument, performs in a room whose walls are made of a membrane fashioned from tightly stretched goat skin or vellum. Therefore, it can pick up on sound waves travelling through air and water. This room is situated in an old slave ship named “the Paradiso” which floats on a giant underground lake, so can detect vibrations through its wood, taut ropes or sheets, and surroundings. This lake is in a giant cavern known as the Orpheus chamber, situated deep inside a mountain, home to stalactites, stalagmites and crystalline, flower like structures named anthodites, which also pick up on vibrations passing through rock. Consequently, these musicians are performing in a closed environment that resonates like a gigantic bell, thereby creating a wall of sound.
The “ARKestra” is composed of pairs of those musicians deemed “Aces,” “Kings” or “Queens,” plucked from the flood of misery that segregation created to help change the New World for the better. They mentor and sympathetically resonate with musicians still alive, and working through their performances and recordings, seek to create a new vibe called the “big beat,” woven from different strands of music.
The old slave ship, “Paradiso,” is also home to the largest record repository in the world. Known as the “ARKhive,” it comprises two copies of all the recordings ever made in the New World, arranged year by year in the aisles of the original slave hold.
Thursday May 19, The San Jose Fairmont, Lobby Lounge, 170 South Market St., San Jose CA, 9pm-Midnight. Rolando Morales returns for you South Bay fans to this elegant venue. Enjoy fine wines, unique martinis, appetizers and sushi along with the Rolando Morales Duet, this time featuring the amazing Latin percussionist/vocalist from Prince and Rolando’s first band, Passion and Grace, Estaire Godinez; and Rolando Morales leading the way on guitar and vocals and his magic pedal board. Free! See www.fairmont.com/sanjose/ for info, or call (408) 998-1900.
WomenNow and New Delhi Restaurant will be hosting their second Spring India Day on June 11th in Union Square in the heart of San Francisco. Spring India Day is a free annual festival. It is a celebration of the colorful and exuberant Indian culture.
Come join us as we take over beautiful San Francisco’s crown jewel – Union Square – for a full day of fun and entertainment. Spring India Day will be featuring henna artists, Bollywood dancing, music, a high couture fashion show, and more! Our food booths will entice your taste buds with several Indian regional cuisines including samosas, keebabs, curried rice, exotic island delights, South Indian delicacies, and roadside chat selections.
Where: San Francisco’s Union Square
When: 11:00 AM – 7:00 PM
Date: Saturday, June 11th, 2016
This event is organized by WomenNow TV in association with New Delhi Restaurant and benefits Compassionate Chefs Cafe a 501(c) non-profit organization with a mission to help Kids Across the Street in the Tenderloin After School Program and Across the Ocean in Gandhi Ashram in Ahmedabad, India to help them become global citizens.
Gandhi’s intention behind his Ashram in Ahmedabad, India, was to help uplift the underprivileged. On this very location, we are helping to fund the school for children of Harijan (Untouchable) Street Cleaners. This school helps us continue Mahatma Gandhi’s movement to eradicate the social injustice of being labeled Untouchable. These children will help to uplift their impoverished communities from within. It is most basic of all human needs to be clean and have nurturing human touch.
Closer to home, we are also supporting Tenderloin After School Program – which provides valuable services to kids of families living in the Tenderloin District of San Francisco. The Tenderloin After School Program serves as a shelter from the street culture and many harmful influences that abound in this area. TASP provides kids with a safe space to be, where they can play and study, and get the proper support and training necessary to succeed in life.
Compassionate Chefs will be hosting a photo booth next to the main stage with props and backgrounds. Bring your smiling face and help out a great cause!
Duke Ellington is considered one of the world’s greatest composers and musicians and one of the most notable influences on jazz history. He was also a prolific composer. It is estimated that his orchestra recorded around two thousand compositions. These included instrumental pieces, popular songs, suites, musical comedies, various film scores, and “Boola,” an unfinished opera.
The United States bestowed upon him the highest civil honor, the Presidential Medal of Freedom. The French government honored him with their highest award, the Legion of Honor, He played for presidents, royalty and for regular people and by the end of his 50-year career, he had played over 20,000 performances worldwide. He was “The Duke,” Duke Ellington.
Ellington got his nickname of “Duke” from a childhood friend who commented on his elegant manners, bearing, and dress. Edward Kennedy Ellington was born April 29, 1899 in Washington, D.C. to Duke’s parents, Daisy Kennedy Ellington and James Edward Ellington. They served as ideal role models for young Duke, and taught him everything from proper table manners to an understanding of the emotional power of music. Ellington began playing piano at age seven. During the summers in Philadelphia or Atlantic City, where he and his mother vacationed, he began to seek out and listen to ragtime pianists. Duke sought out Harvey Brooks, a hot pianist in Philadelphia where Harvey showed Duke some pianistic tricks and shortcuts. Duke later recounted that, after he returned home he had a strong yearning to play. Previously he had not been able to get started, but after hearing Harvey he said to himself, “Man you’re going to have to do it.” Thus the music career of Duke Ellington was born.
Ten years later in 1923, Duke made his first recording. Ellington and his band, The Washingtonians, played at places like the Exclusive Club, Connie’s Inn, the Hollywood Club (Club Kentucky), Ciro’s, the Plantation Club, and most importantly the Cotton Club. Thanks to the rise in radio receivers and the industry itself, Duke’s band was broadcast across the nation live on “From the Cotton Club.” The band’s music, along with their popularity, spread rapidly. Duke Ellington and his band went on to play everywhere from New York to New Delhi, Chicago to Cairo, and Los Angeles to London. Ellington and his band played with such greats as Miles Davis, Cab Calloway, Dizzy Gillespie, Ella Fitzgerald, Tony Bennett and Louis Armstrong. They entertained everyone from Queen Elizabeth II to the US President. Some of Ellington’s greatest works include “Rockin’ in Rhythm,” “Satin Doll,” “New Orleans,” “A Drum is a Women,” “Take the ‘A’ Train,” “Happy-Go-Lucky Local,” “The Mooche,” and “Crescendo in Blue.”
Duke did a series of spiritual concerts, one of which was performed at Grace Cathedral in San Francisco. Duke had many friends here in San Francisco, many musicians that are still playing in local clubs to this day and have wonderful stories to tell of “The Duke.”
What made “The Duke” so great was that he knew each of his musicians’ abilities well (many had been with him for decades and were legends in their own rights) and wrote his music to accommodate their skills and strong points. The music was written specifically for his band.
The road was hard for Ellington and he made great sacrifices to keep his band together, but the sacrifices paid off in the undying loyalty of his musicians and a legacy of music to be cherished for all times.
Duke Ellington passed away in 1974.
Once in a while a Jazz musician comes along and changes the course and direction of music, an instrumentalist that takes his instrument into a new direction that [all those] others after him follow like a beacon. These innovators, to name a few, include: Charlie Parker on alto sax, Wes Montgomery on guitar, Oscar Peterson or Bill Evans on piano.1
However, on the bass, there is only one: Stanley Clarke
Stanley Clarke, raised in Philadelphia, burst onto the music scene as a teenager in 1971, arriving in New York straight out of the Philadelphia Academy of Music. He immediately landed jobs with famous bandleaders such as: Horace Silver, Art Blakey, Dexter Gordon, Joe Henderson, Pharaoh Saunders, Gil Evans, Stan Getz, and a budding young pianist composer named Chick Corea.
Before Stanley Clarke, the traditional role of the bassist in the band was that of [the] timekeeper; and also [functioning as] the foundation, the person in the band that played the lowest note in the chord, the note that the chordal structures of the songs were built upon. Stanley came along with a deep sense of melody crafted from years of listening to all of the musicians that came before him, not just the bassists. He also had an intense command of the instrument, because of his height, large hands and sincere and total dedication.
He began to pull away from the traditional role of the bassist and started to bring his instrument into the forefront. Stanley pushed himself towards perfection with relentless attention to be the best. His efforts catapulted him to the front of the stage as a viable melodic bass soloist where his dream manifested first in the Grammy Award Winning jazz-fusion band “Return to Forever ”. RTF recorded eight albums, two of which were certified gold (“Hymn of the Seventh Galaxy” and “Romantic Warrior”); and one, “No Mystery”, won a Grammy award.
One of Stanley Clarke’s fellow bassist’s, Victor Wooten, an accredited bassist of the new era who followed in the tradition, presented the 2006 Bass Player Magazine’s Lifetime Achievement Award to him and had this to say: “There’s no way I would pass on the chance to present this award to Stanley Clarke, a man who has changed the lives of so many musicians, created opportunities for all of us bassists, and been a huge influence on me and my playing.
Presenting Stanley Clarke with a Lifetime Achievement Award is a dream come true.” Wooten continued, “Scoring movies, making recordings, and touring the world, Stanley Clarke has paved the way for all of us by spreading low-end love all over. To me, that is what a Lifetime Achievement Award is all about. It’s not just what you’ve done with your life, but also what you’ve done to help others improve their lives. I believe that Stanley has done more than he realizes in that regard”.
Clarke is a man of “firsts”— having been the first bassist in history who could double on acoustic and electric bass with equal ferocity, as well as the first bassist ever to headline tours, selling out shows worldwide. Clarke recorded what is now considered to be the must-know bass anthem, “School Days.” To this day, accomplished and aspiring bassists continue to imitate his style seeking to master his pioneered techniques.